![]() ![]() The variety of synth sound in trap music is immense and depends entirely on the styling of the producer.Computer technology has opened the floodgates to an almost infinite number of sounds a DJ can make, and producers are taking the opportunity to create their own unique brand of trap music.While trap music began as a Dirty South phenomenon, it has begun to spread across the country – and even the globe. In much the same way that dubstep utilizes sub-bass rhythms to create a half-time rhythmic feel, trap DJs such as Taku often supplement 808 drum lines with bass counter-rhythms.But where hip-hop mixtapes might stop at relatively simple instrumentals, trap music embraces European electro-house and trance’s penchant for well-crafted synthesizers. The 808 was also popular for its ability to produce exceptionally low bass drum frequencies.Although the term “trap” first referred to Dirty South hip-hop, it has come to embrace a broader spectrum of music - one that has derived significant influence from the growing EDM scene.Trap music embraces the heavy, oscillated sub-bass that DJs like Skream and Rusko developed in the United Kingdom in the early 2000s. It incorporates similar rhythmic elements and, most notably, samples from the Roland TR-808 drum machine.The “808” sound was developed mostly out of necessity, as the TR-808 was one of the least expensive drum machines available at the birth of hip-hop. music takes much of its sound - and attitude - from Dirty South hip-hop. It’s just that - you trapped.”Early influences in the trap game are names the average listener will most likely remember from their middle school years: Three 6 Mafia, TI, Gucci Mane and Waka Flocka Flame. Your partner gonna come get you, your enemy gonna come get you, the po-po gonna come get you. ![]() You might make some money, but you in the trap.’ You gonna get shot at, killed. ![]() “The old heads will tell you, ‘you in the trap, man, you hustling. The sound is a product of a rough life on the street, dealing drugs and trying to get by.“I think the ‘trap’ term came from Atlanta,” said DJ Scream, a prolific trap producer, in an interview with LiveMixtapes TV. The term describes the snare-like nature of inner-city communities, where hip-hop and now trap music were born. And although much of trap’s vanguard prefers well-designed synths to lyrics, it’s not uncommon for a witty wordsmith to lay down his rhymes over a hard-hitting trap beat.“The trap” is a place, but it’s not one you could find on a map. It’s hip-hop’s new face for the electronic era, and it sounds a lot like you might expect.Low-down bass booms under the rattle of triplet snare drum patterns and rolling hi-hats, while punchy synth lines and gunshot/cash register/hawk scream sound effects deck out the upper end of trap’s sound. From the blues to hip-hop, this southern metropolis has fostered a broad range of some of music’s most influential genres.Now, the recent boom of electronic dance music (EDM) in the United States has given rise to the South’s dirtynew sound: real trap shit.Trap music is a hybrid genre, a volatile mix of European house synthesizers, dubstep’s wobbly sub-bass and Dirty South hip-hop’s hard edge. A Look at the Dirty South's Take on EDM By Nick BradleyĪtlanta has long been one of the South’s primary musical hotspots. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |